
It was supposed to be my model summer weekend. I had it set up weeks ago. Saturday: Julieta Venegas and Maldita Vecindad concert. Sunday: World Cup final and Dodgers vs. Giants game. Perfect!
That was all before I was asked to be part of a selection committee. No biggie. I’ve been a part of many selection committees. Wait, I have to fly up to Oakland for the interviews? I tried to back out of it by explaining that I needed to be at a concert at 7 pm. From my experience last year, I knew that if I was late I might miss the opening act. There was no way I was going to miss mi querida Julieta.
However, they wanted me there and were willing to schedule around me. Interviews and deliberations would be over by 4 pm. That gave me enough time to get to the Oakland Airport to make my 5:20 flight. I’d arrive at 6:43 at Santa Ana/John Wayne Airport. Ralph would pick me up and we’d travel 3 miles or so to the Orange County fairgrounds in Costa Mesa.
It was all set.
And it went well. My flight left on time and I arrived early. Ralph was picked me up promptly at 6:45. We arrived at the Orange County fairgrounds and entered the Pacific Amphitheater precisely at 7 pm. We found our seats next to my cousin Rene and his friend Edgar.
Surprised that I actually arrived at an event early I took the time to try and figure out if Julieta would sing a mix of her new and old songs or if she’d stick with the recent commercial hits. I found out the answer to my question half an hour later.
She entered the stage with her band. As usual, she looked cute in an orange blouse, jeans and black shoes. Accompanying her on keyboard was the equally talented, cute and stylish Ceci Bastida.
She started off with “Lento” and I texted Gabby and Isa to hurry up and finish eating their hot dogs and hamburgers.
Julieta was great, but I was left wanting more. Long time fans were probably disappointed because she only played two songs from Bueninvento (2000) and ignored Aquí (1998) completely. She also only played three songs from her most recent release, Limón y Sal.
I sang along to every song, but the highlight for me came when she sang her brilliant cover of Los Tigres del Nortes’ hit about immigration, La Jaula de Oro. Prior to singing, she expressed solidarity with immigrants who search for a better life. Julieta’s version of La Jaula de Oro is even better live. [I tried to post a 40 second video via YouTube, but my blog ends up looking like a mess. You can just check it out at here. Sorry I don't have it all, I didn't take fresh batteries and that was all I could get.]
I don’t know if the crowd was feeling tired like me or if they were just more excited about Maldita Vecindad. Few people stood up and you could only hear folks singing along to the hits or her current singles. The rude and drunk guys behind me (you’ll hear more about them later) spoke on their phones too loud. True to form, a lot of people skipped the opening act all together and the amphitheater didn’t fill up more until it was dark and Roco and crew were starting off.
I would have loved to see Julieta Venegas play more songs featuring the accordion, more from her albums pre Sí, and a few more tunes from Limón y Sal — such as the track which shares the title with the album and “No Seré”. Still, she managed to entertain me after a long day of interviews and prove once again why she is one of my favorite artists.
Setlist
Lento – Sí
Que Pidas – Sí
Siempre En Mi Mente – Bueninvento
Dulce Compañía – Limón y Sal
Canciones de Amor – Limón y Sal
Algo Está Cambiando – Sí
Me Van a Matar – Amores Perros Soundtrack
Andar Conmigo – Sí
Donde Quiero Estar – Sí
Sería Feliz – Bueninvento
La Jaula de Oro – El Más Grande Homenaje a los Tigres del Norte
Me Voy – Limón y Sal
To be continued… I still need to report on the fracaso during Maldita Vecindad’s performance.
(What? Did you think I was going to leave you without some new music? Since I uploaded the wrong file, you get two YouSendIt links! Both are for “La Jaula de Oro” but one is an m4a for iTunes and the other is a simple mp3. ¡Disfruten!)



