Café Tacuba at the Hollywood Bowl

Café Tacuba at the Hollywood Bowl

It took me 3 hours to get from Santa Barbara to the Hollywood Bowl (no more than 85 miles!). I was really worried I’d miss part of the concert and was asking mi tía Macaria* to work her magic. Either LA traffic on the 101 was really good for a Sunday afternoon, or la tía Macaria came through. Even though there was a lot of traffic in Santa Barbara and Ventura counties, once I got in to LA County, I was speeding along at 70-75 mph all the way to the Hollywood Bowl. Either traffic was just good, or la tía Macaria’s magic came through.

I met up with Ralph at Hollywood and Highland shuttle stop to the Bowl. We got to our seats before the opening act, Groove Armada, even began. Some wine helped calm my nerves and get me back in the right mood to enjoy Café Tacuba.

It had been 2 years since I last saw Café Tacuba perform, way too long in my book. The show was well worth the 3 hour drive and traffic. The band was dressed all in white and black. Rubén Albarán, the lead singer, wore a white suit and black t-shirt. He had his mid-length hair in two braids and wore a large white bowler hat with eyeholes cut out so he could see.

I was on my show the whole way through, but most of the people up front were sitting down. Rubén made fun of them for sitting down, but they probably didn’t know it as most of the people in the box seats probably weren’t the big fans and didn’t speak Spanish. All the cheers and dancing were in the cheaper seats at the back of the Bowl. I remember Rubén mentioning that he felt bad because he couldn’t address the audience in English. I yelled out that he shouldn’t care, he should just speak Spanish since we were in LA, after all.

Café Tacuba played from about 8:45 to 10 p.m. (including their 4-song encore).

The setlist:

  1. No Controles
  2. Cero y Uno
  3. Las Flores (my favorite!)
  4. Mediodía
  5. New song (it was the same song I posted here a few weeks ago. They mentioned the name, but I didn’t hear it. I’ll post videos of the two new songs on YouTube)
  6. La Ingrata
  7. Chilanga Banda
  8. La Chica Banda
  9. Déjate Caer
  10. Encore

  11. Eres
  12. El Baile y el Salón
  13. New song (not sure if they mentioned the name or not)
  14. Como Te Extraño Mi Amor

I only have one criticism: the shows are pretty predictable. I’ve seen Café Tacuba enough times to know that they’ll end their show and then come out for a four song encore. I also knew that the encore would include their cover of Leo Dan’s classic, Como Te Extraño Mi Amor.

Overall, I’m glad I made it. I need my Café Tacuba fix. The summer just doesn’t feel right without them.

*La tía Macaria is a great-great aunt on Mamá Toni’s side. Supposedly, she was a very pious, generous and saintly woman. My mom is a big fan of tía Macaria, which is the reason we often ask for her help in tough situations . These days, we ask “las ánimas de mi tía Macaria” for everything from a good outcome from a surgery to clearing up traffic so I can make a very important concert! She doesn’t help much when it comes to sports, or else the Dodgers would be winning the pennant — or at least a playoff game — every year.

Antonio Aguilar (1919-2007)

I was still half asleep when I got VivirLatino’s notice about Antonio Aguilar passing away last night after being in grave condition and battling pneumonia for a couple of weeks.

I didn’t cry then, but now as I read through Spanish-language newspapers online and search for YouTube videos, the tears are coming. Friends on MySpace are offering up bulletins sharing memories of seeing Antonio Aguilar perform at the Pico Rivera Sports Arena. Now the realization that Mexico and Mexicans everywhere have lost one of their greatest talents is really setting in. But I’m not crying about losing the singer and actor and charro. Sure, I grew up hearing his music and watching him on TV, but that sort of stuff is captured through technology.

Instead, Antonio Aguilar’s passing is affecting me because it makes me think of my grandfather, one of his big fans. The men have things in common too. Antonio Aguilar was born in 1919, Papá Chepe was born a year later. Both men are from Zacatecas. While Aguilar is a skilled charro, Papá Chepe just loves watching the rodeos. He gets upset if his doctors advise him not to travel to Zacatecas for the Fiestas de Abril.

I guess Antonio Aguilar’s death makes me think of my grandparents’ own mortality, and that hurts even more than losing a great entertainer.

Que descanse en paz.

More on Antonio Aguilar’s death:
La Jornada
Univision
La Opinión
ABC News (AP story)
LA Times

Patience is a virtue

Patience isn’t easy. I don’t like waiting in long lines or sitting in traffic.

I also struggle with patience when it comes to music and my favorite band, Café Tacuba. They haven’t released a new album since 2003. I haven’t seen them play live since 2005. Last year I bumped in to three of the band members at a concert and they told me they were working on a new album. I hope it comes out soon. I need it. For now, I’ll just listen to this untitled new song they played at the Festival Vive Latino in Mexico City last month.

And yeah, this song is definitely part of my summer 2007 mixtape.

Como la flor

As Ralph and I waited for our pupusas, I stared at the television behind him. We were in a non-descript Salvadoreño restaurant in Echo Park. There were only a few others in the restaraunt making it quiet enough to hear the replay of Selena’s now-famous concert at the Houston Astrodome. Saturday, March 31st marked the 12th anniversary of her tragic death.

I mimicked her slow tempo rendition of “Como la Flor” as if I was singing to Ralph.

“Did you even know her before she died?”

“No,” I admitted.

He looked at me like I was a fraud. Well, not really. But that’s what I felt like when I admitted my pre-1995 Selena ignorance.

In 1995 I was busy getting through my freshman year of high school. All I listened to was KROQ and was pretty much over the banda craze of the early 1990s. I hardly ever switched the dial to any of LA’s many popular Spanish-language stations.

When my 8-year old neighor, Jorge, came over to our house to tell us the breaking news that Selena had been shot and was dead (or dying, can’t remember), I thought “who?” Jorge saw the look of confusion on my face and told me it was the woman who sang “Bidi Bidi Bom Bom.” I had some familiarity with the song, but didn’t know anything about the singer. Like many other people, I got to know Selena’s music posthumously and through the Gregory Nava film.

I remember watching the film in Ontario at the movie theater where my cousin worked (he got us in free, one of the perks of being employee of the year). I completely identified with the young Selena Quintanilla. My dad used to teach me Mexican songs. He’d translate the lyrics and explain what the words meant. Danny, my older brother, and I were put in singing contests and often willingly joined our dad when he brought out the guitar.

So predictable

I’m becoming too predictable.

The lineup for this year’s Coachella Valley Music Festival (April 27-29) was released this past weekend. Once again, I scanned the lineup list and drooled at the thought of seeing bands I hadn’t seen in years and seeing others live for the first time.

Rage! Julieta! Ozomatli! Manu Chao!

And then I realized that I’d probably skip the event again despite that some of my favorite bands will be performing. If I take my qualifying exams in the spring, I can’t afford to spend a day or two or three in the desert. My cousin is getting married in April, but I can’t remember what day. Tickets are expensive, it’s hot, the festival is expensive, I get antsy in big crowds, and did I mention that the festival is in the middle of the desert?

The two good things that came out of the Coachella line up release are the possibility of seeing Rage Against the Machine play a live show outside the festival and my introduction to Rodrigo y Gabriela (myspace). Say all you want about the evils of MySpace, but you can’t deny that it’s a great way to check out a new band.

The world makes sense now

It finally happened. I gave in to my desires.

Thanks to my sister and Mikey, I now own an iPod. It’s black, shiny and loaded with music, some episodes of Lost season 2 and a smattering of podcasts. I named her Cindylunares. I like it. A lot.

Two years ago, I dealt with my little white cord envy by simply telling myself the following things:

  1. I couldn’t afford an iPod. I was, and still am, a poor graduate student.
  2. Getting an iPod would mean constant auditory stimulation. Silence – or at least relative silence – would be a good thing for me.
  3. I don’t like ear buds, they don’t fit right in my ears and are rather uncomfortable.
  4. My money would be better spent on concert tickets and more new music.

But for everyone of those reasons, I was able to rattle off many other reasons for the usefulness of an iPod. I needed to clear some of the music off my hard drive. I wanted my music collection to be mobile so I could take it with me on my many trips.

I also wanted to have the perfect song at the perfect moment. I had one of those moments earlier this year. The song was deliberately chosen and it complimented the ambience perfectly.

I’m now one of those students on campus with the conspicuous little white cord going from her ears to pocket.

I like it that way. After all, the world makes more sense when Los Amigos Invisbles’ “Gerundio” (mp3) is playing as I walk VR and the smog has transformed a boring sunset into pink and orange.

Mil palabras: Kinky

Kinky's record-release concert

Thanks to losanjealous, I won a pair of free tickets for Kinky’s record-release concert at the Avalon in Hollywood.

I saw Kinky open up for Manu Chao on August 2nd but barely enjoyed it. The venue, Shrine Expo Center, had horrible acoustics and felt like a sauna. I spent most of Kinky’s set outside trying to get some fresh air, but failed miserably because everyone was smoking.

I like Kinky. I’ve seen them several times live, but it’s always been as part of a lineup or as an opening act. No problem, they get me dancing. This time was no different, but it outshined any of their previous concerts I’ve attended at the Hollywood Bowl, Universal/Gibson Amphitheater, and House of Blues in Anaheim.

Review

Isa and I arrived at the Avalon a little before 9 and got in the line for those on the guestlist. No, we weren’t that cool, but the bouncer pointed people who had tickets at will call that way. I picked up my envelope for two tickets at the window and Isa joked that I was a rockstar.

We made our way into the Avalon, already crowded with fans. Soon it would be filled to capacity as the rest of the fans made their way in. We ran in to one of Isa’s friends, Jerry, who was surprised to see me since I told him I wouldn’t be going. Tuesday night plans quickly change when the tickets are free. We left Jerry and his friend downstairs and made our way to the mezzanine. I know I’m not old and neither is Isa, but we both acknowledged that back in the day we would have surely squeezed our way toward the stage. We’re over mosh pits and being pushed around by sweaty people. We’d rather be upstairs where it was cooler and spacier. We had a good view of the stage and melee below without having to deal with their sweat.

The energy in the crowd and on stage remained high the whole way through. Gilberto bounced around the stage in the same manner as Rubén Albarrán from Café Tacuba and Roco from Maldita Vecindad. The frontmen of all three Mexican bands are small and thin, I’m sure the on-stage exercise helps. The other guys on drums, keyboard and guitar don’t attract much attention. The bassist, on the other hand, always gets my attention. César Pliego always dressed the same in jeans, boots, a t-shirt and his signature black tejana. Some guys think the look is a bit cheesy, but they’re just jealous. Pliego reminds me why I love Mexican men so much.

Kinky played a pretty long show and gave the energetic crowd a taste of their new album Reina. While, I enjoyed hearing some of the new stuff that has a stronger rock feel, my current Kinky favorites all come from their eponymous first album. I danced like a mad woman to “Mirando de Lado”, “Soun the Primer Amor”, “Más”, “San Antonio”, “Ejercicio #16″ and “Sol.”

Half the enjoyment from a concert comes from the music, but the other half comes from the atmosphere (see: my horrible experiene at the Maldita Vecindad/Julieta Venegas concert in July). The crowd at Kinky’s concert was one of the best I’ve seen this summer, second only to the multi-ethnic crowd cheering on Manu Chao and Radio Bemba. I wasn’t even all up in the mix near the stage, but I could still tell that the fans were excited and showed it by dancing to the beats.

Isa and I didn’t try to squeeze our way near the stage, mainly because at 25 and 26 we’re becoming squares. We watched the show from the upstairs mezzanne where it was cooler, we didn’t have to touch any sweaty neighbors, and we could dance more freely. When Gilberto dove into the crowd after playing three songs during the encore, I was glad we made the decision to go upstairs. I didn’t want to have to try and catch a sweaty singer.

Mil palabras: los tlatoanis del barrio

La Chica Banda
The Knitting Factory, Hollywood

Visual proof that I didn’t make up the story below. Jeanalee and I really did meet Quique, Joselo and Meme from Café Tacuba on Saturday night. Thanks to the friend of a friend who had his camera and was nice enough to snap a shot of us with my favorite rockstars.

Hoy es el día más es espetacular, el más bello que hay

Sigh.

I learned last night that I should never leave my camera in my car simply because I don’t want to have to carry anything on me at a concert. When I locked up my car, I had my friend, Jeanalee put my ID, money and keys in her pocket. At the last minute, she changed her flight to leave Oakland with me and return to LA on Saturday night. Jeanalee agreed to come with me to see Los Liquits (sorry, we missed Los Abandoned) at the Knitting Factory in Hollywood, and I know she’s glad she made the choice.

I could have taken some great shots of Los Liquits guys in action. The Knitting Factory is a small venue, and the show wasn’t too crowded so even though I arrived a couple songs after they had started, I still could have made my way to the stage with no trouble. Los Liquits’ shows are just like their music: fun and a little weird, but the fun kind of weird. The guys have a great stage presence. Photos of Los Liquits would have been nice, but their music is good enough for me.

I really missed my camera when a minute after entering the room, I found myself standing next to Enrique “Quique” Rángel. Yes, the bassist from Café Tacuba. When I saw him, he looked really familiar, but he looked too normal to be a major rock star. He was just standing there watching the show, drink in hand. He wore an off white sweater vest, a white shirt underneath, dark pants and carried what looked like a camera bag. His hair is what gave him away. He had long bangs to the right, a little curly. He actually looked younger than I thought.

When some other kids came up to him, I realized I was right. He was Quique. I told Jeanalee who thought it was cool. A little later, Quique went back to the bar and I was surprised once again. To my left walking near the stairs to the second floor I saw a man dressed in black with shoulder-length hair straight hair. His height and lanky frame gave him away. It was Emmanuel “Meme” del Real.

Once again, I yelled in to Jeanalee’s ear while dancing to “Desde Que” that Meme was here too. It made sense, I told her since Meme produced some of Jardín and two years ago when I saw them in San Diego, Los Liquits opened up or them and Maldita Vecindad. Behind me, other kids had noticed los Tacubos and were snapping pictures with them. It was then that I felt dumb, but I tried to rationalize leaving my camera in my car by telling myself that I already have a photo with los Tacubos and seeing them at the same small show was great enough.

The night only got better. Los Liquits rocked, of course, and played all my favorites. And Joselo showed up with a woman (his wife? girlfriend?). He stood a few feet behind Jeanalee and I. Quique and Meme stood out somewhat simply bsaed on age… and the fact that people kept pointing at them and asking them for photos. However, Joselo can’t really hide. He has glasses and dreadlocks, something not common among Mexican and Chicana/o kids in LA. Once again, I pointed him out to Jeanalee and she noted that the other two could be a little incognito, but not Joselo. She was right.

A few songs later, Liquits ended their show, but most people didn’t empty the room. Would you leave the room where your favorite band was just chilling and having drinks?

I didn’t know what to do. Should I talk to them? What would I say?

I got the nerve to talk to Meme (at the time Joselo and his girlfriend were with Quique and they were talking to some guys). This was the best part, of course.

I was so starstruck, which I’m sure didn’t help my pocha Spanish, yet Meme was totally chill, nice and rather humble. I introduced myself and tried to introduce Jeanalee but momentarily forgot her name. She stood by my side as I asked Meme a few questions and then proceeded to gush on about how their music means so much to me.

I asked Meme about when they would release their next album. He confirmed what I had read and said that they were currently working on something which would be released next year. I was confused, did he mean 2007 or 2008? He cleared it up, 2007. I then asked when they’d be on tour again and he said after the release of the new album (duh). I told him that my year felt incomplete without seeing them play.

I told Meme that Café Tacuba’s music really means a lot to me. I don’t think I can voice the impact it’s had on my life, either in English or in Spanish. In particular though, Meme’s words have touched me even more. He wrote “Las Flores” a rather short 2 minute and 12 second song that oozes pure high-energy happiness. I love Las Flores, it’s my favorite song of all time, just as Re is my favorite album. I told Meme about my love of “Las Flores” and he just nodded. I continued in Spanish, “I don’t know if you guys know what your music means to your fans, how it makes them feel.” Meme replied, “we don’t know what you feel.” I hope he does now, at least from me.

I thanked Meme again. Mucho gusto seemed like an understatement. My knees were weak (really, they were), and I was still so amazed. I’ve met Café Tacuba before, but it was so rushed. All we got was a picture. Cool enough, but this was better.

Thanks to Jeanalee who found a friend from school in the audience, we got a picture with other Tacubos. A friend of a friend took a picture and soon Jeanalee and I will have a photo to remind us of the night we found ourselves enjoying the same music in a small venue with the greatest Mexican rock band.

On my way home, I called anyone I thought would appreciate the excitement of meeting Café Tacuba. I called my cousin Rene, roommate Isa who was with Gabby, another good friend. I called Lori and Adrian and left messages. Gabby was funny, “that would be like me meeting Chris Martin at McDonalds.”

Jeanalee and I listened to Re on the way home. We were tired, but so happy. I dropped her off at her Westwood apartment and then went home, still with the goofy smile on my face.

I was almost home when I realized something. I didn’t get to see Café Tacuba play, but meeting them and actually having a short conversation with Meme was better. My year is complete.

Summer concerts revisited

I haven’t been listening to a lot of my favorite music lately, mainly because the CD’s are scattered all over my messy room and/or car and I’m too lazy to find them.

However, it’s not so bad. In fact, I think I’ll survive just fine especially considering the line up of great rock en español bands coming to LA within the next few weeks. The only problem? Not enough time…

Annotated calendar of upcoming concerts*

Friday, July 28

Quetzal (LA), Quinto Sol (East LA) and Maneja Beto (Austin) at Temple Bar

Note: I saw Maneja Beto perform in their first in LA. The MC hyped them up and described them as the band that would form if Café Tacuba and Los Lobos had a kid. Thanks again to César (EMC) for not only having great music taste, but being so willing to share that music with others.

Saturday, July 29

Barrio Economy benefit with Fandango Sin Fronteras (collective made up of Zach de la Rocha, members from Quetzal and Ozomatli and others), Maneja Beto (Austin), Aztlan Underground (East LA), Mezcla (LA), Sahua (East LA) at Self Help Graphics

KCRW’s Sounds Eclectico Evening with Nortec Collective (Tijuana) and Mexican Institute of Sound (Mexico City) at California Plaza

Note: I’m missing out on so much this weekend, but it’s okay because I’ll be at one of my “happy places” with my huge familia.

Tuesday, August 1
Manu Chao and Kinky (Monterrey) at the Shrine Expo Center

Note: I have my tickets! I can’t wait. The last time I had the opportunity to see Manu Chao live was about 6 years ago. I didn’t go with the rest of my friends because I was sulking or being anti-social.

Wednesday, August 2
Plastilina Mosh (Monterrey), Niño Astronauta (Ensenada) and DJ Santi (Anaheim) at the Knitting Factory

Saturday, August 12
Liquits (Mexico City) and Los Abandoned (Van Nuys) at the Knitting Factory

Note: while at the Knitting Factory tonight, I bought tickets for Liquits and Los Abandoned. I saw Liquits open for Café Tacuba and Maldita Vecindad two years ago in San Diego. They wore grey jumpsuits and all I remember was the nonsensical Chido song.

Gustavo Cerati (Argentina) at the Wiltern

Sunday, August 13
Gustavo Cerati (Argentina) at the House of Blues-Sunset Strip

Note: a bit pricey ($35), but the former frontman of Soda Stereo is worth it.

Rock Prendido with Molotov (Mexico), Zoe and Delux at Gibson (Universal) Amphitheater

Thursday, August 17
Amigos Invisibles (Venezuela) at Avalon Hollywood

Note: the last time I saw AI was also at Avalon. This is a battle of the bands, but I have no idea who will be there besides los AI.

Friday, August 18
Los Pinguos (Argentina), Cava and Las Rubias del Norte (New York) at Temple Bar

Los Lonely Boys (San Angelo, Texas) and Del Castillo (Austin) at the Greek Theatre

For more events, check out LATV Live’s Calendar.

*I originally posted this at blogging.la in a longer entry. I always get annoyed with the concert listings on LA group blogs (e.g., LAist and Losanjealous) that ignore any Spanish-language music. What a shame.